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Thérèse Raquin
Émile Zola · 2005 · 240 pages
Zola's classic novel of turbulent passion
In a dingy apartment on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband’s earthy friend Laurent, but their animal passion for each other soon compels the lovers to commit a crime that will haunt them forever.
Thérèse Raquin caused a scandal when it appeared in 1867 and brought its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola’s novel is not only an uninhibited portrayal of adultery, madness, and ghostly revenge, but also a devastating exploration of the darkest aspects of human existence.
Robin Buss's translation superbly conveys Zola's fearlessly honest and matter-of-fact style, combining fidelity to Zola's idiosyncrasies with easy fluency in English. This edition also includes an introduction that discusses Zola's life and literary career and the influence of art, literature, and science on his writing, as well as the preface to the author's second edition of 1868, a chronology, suggestions for further reading, and notes.
Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In a dingy apartment on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband’s earthy friend Laurent, but their animal passion for each other soon compels the lovers to commit a crime that will haunt them forever.
Thérèse Raquin caused a scandal when it appeared in 1867 and brought its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola’s novel is not only an uninhibited portrayal of adultery, madness, and ghostly revenge, but also a devastating exploration of the darkest aspects of human existence.
Robin Buss's translation superbly conveys Zola's fearlessly honest and matter-of-fact style, combining fidelity to Zola's idiosyncrasies with easy fluency in English. This edition also includes an introduction that discusses Zola's life and literary career and the influence of art, literature, and science on his writing, as well as the preface to the author's second edition of 1868, a chronology, suggestions for further reading, and notes.
Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Kate Winslet
“This story seeps into your insides—the way Zola describes the intensity of the relationship between a woman and the man with whom she has an affair. When you meet Thérèse, she barely speaks. She’s so numb and stagnant. I think we’ve all been in those emotional places at one time or another. That lack of courage, lack of confidence, has always profoundly disturbed me. She is transformed through passion and desperation. She and Laurent love each other so much that everything else fades away. They don’t think beyond being together. And, of course, it’s the act that makes that possible—drowning her husband—that destroys them.”↗
Jennifer Connelly
“This is not particularly highbrow; it’s a little soap opera-ish. Thérèse has a dreary life with her husband and his mother in 19th-century Paris. She starts an affair with her husband’s coworker, and together they conspire to kill her husband. Toward the end of the story, the pair have exactly what they wanted—except now they can’t bear to be alone together. They feel as if her husband’s corpse is with them all the time. It’s just devastating, that discovery. I’ve always found Thérèse Raquin compelling—how these two are ultimately suffocated by their own guilt and conscience.”↗